The enigmatic genius of Vivian Maier, street photographer

I’d never heard of Vivian Maier before yesterday, but now I can’t stop thinking about her.

Maier’s street photography is probably the best I’ve ever seen — but the reclusive Chicago nanny never intended for anyone to see it.

Her choice of subjects, her use of light, her impeccable timing … it’s just incredible to think she wasn’t a professional. But she was a genius.

I saw Maier’s images for the first time during This American Life live, a visual adaptation of one of my favourite podcasts, which was beamed in real time to movie theaters across the U.S. and Canada.

John Maloof, the young man who purchased thousands of Maier’s unattributed negatives at an antique auction, is now on a mission to share her work with a new generation. He admits the intensely private woman probably would have hated the attention, but was never able to ask her permission directly.

Maloof writes:

Out of the more than 100,000 negatives I have in the collection, about 20-30,000 negatives were still in rolls, undeveloped from the 1960s-1970s. I have been successfully developing these rolls. I must say, it’s very exciting for me. Most of her negatives that were developed in sleeves have the date and location penciled in French (she had poor penmanship).

I found her name written with pencil on a photo-lab envelope. I decided to ‘Google’ her about a year after I purchased these only to find her obituary placed the day before my search. She passed only a couple of days before that inquiry on her.

Maier caught fleeting moments like bubbles on the tip of her finger, and I’m not sure who could keep such talent to themselves.

In a world full of photoshopped renditions of posed subjects, these images are intoxicating in their authenticity.

With apologies – thank you, Ms. Maier.

October 14, 1968, Chicago. Vivian Maier. Maloof Collection 2012.

October 14, 1968, Chicago. Vivian Maier. Maloof Collection 2012.

Know Your Digital Rights, Photographers

You want your shots seen and used. But Creative Commons and copyright have you confused. Read on.

Lewis Kelly sat in front of his computer drumming his fingers on the desk. The university student wanted to change the copyright settings on his Flickr pictures, but the transition wasn’t as straightforward as he’d hoped.

“Why is this so confusing?” muttered Kelly, who goes by the username oncethiswas on Flickr. “The interface is so counter-intuitive.”

Kelly had started by clicking on the help button, but the drop menu didn’t mention copyright settings or how to change them. Next, he went to the FAQ page, where he was confronted by 33 different categories of questions. Eventually, he found something that looked promising: “How can I copyright my photos?”

He read that in most parts of the world, including Canada, creators are automatically granted copyrights to their photos, all rights reserved. But Kelly, who has a nascent interest in contributing to the intellectual commons, did not want all his rights. He wanted something other than the familiar circled C beneath his pictures, and Flickr — a powerhouse of photo sharing — seemed an appropriate place to waive some of his rights for the benefit of others.

In Canada, Flickr is the most popular website that is expressly dedicated to storing photos in image galleries (The Tyee has its own ‘Flickr pool’ of readers’ photos of B.C.). More generally, the site is just shy of the top 20 most visited websites in Canada, ranking 25th in terms of overall traffic. Unlike other photo repositories like Facebook, where many indiscriminately upload photos to share within closed networks of friends, Flickr has more of a reputation for attracting both professionals and talented amateurs with more artistic intentions.

Sharing on your own terms

Since 2004, Flickr has allowed users like Kelly to waive some of their rights through a non-profit organization called the Creative Commons, which aims to expand the collection of creative work available for the general public to build upon and share.

Currently, the Creative Commons offers six different licenses made up of four core elements (please see the side bar). All of the alternatives are more permissive than Flickr’s default setting of full copyright. The licenses compartmentalize ownership rights so creators can be specific in the ways they wish to share their rights—but knowing which license to select requires some deliberation.

“I’m not sure which license to pick. There’s six of them,” said Kelly as he read through the paragraph descriptions of each license. Ultimately, he settled on an Attribution (BY) license, which allows others to copy, distribute, transmit and adapt his photos for both commercial and non-commercial purposes so long as they attribute the work to him in a way to which he consents. It’s the most permissive option.

“I’ve used the Creative Commons and breached copyright so often, the least I could do is remove the threat of litigation for other people who want to use my work,” explained Kelly, who admits his dinosaur avatar on Flickr is probably copyrighted.

By making his Flickr pictures more accessible, Kelly has added to a growing resource. There tens of thousands of photos available under Attribution licenses like Kelly’s, and hundreds of thousands licensed under all six alternatives.

“We’re really happy to finally be able to provide Creative Commons licenses,” reads the Flickr blog dated June 29, 2004. “As individuals and as a company we wholeheartedly support and endorse the Creative Commons’ mission and hope to help contribute to the preservation and enhancement of creative freedom and personal expression.”

full story here

The Talented Young Beatrice

Portrait of the artist as a young girl

Portrait of the artist as a young girl

At the tender age of thirteen, Bebe (my little sister) is uploading some pretty incredible stuff. Her Flickr photostream is a phantasmagoria of friendship, innocence, and discovery. As I look through these images, I have to remind myself that she is only in Elementary school.
Bebe’s still pretty shy about her talent. She blushes and insists that it’s just a hobby–but I’ve seen her browsing through catalouges of professional cameras and spending hours on photo-editing websites. She spends a lot of time alone in the backyard, taking and re-taking a shot until she is satisfied with her capture.

In case it isn’t apparent, I am a very proud older sister.

(Well, it’s not hard to be encouraging when she puts up flattering photos of me as well, haha.) I have to mention that she’s completely self-taught but I want to encourage my dad to put her in some workshops when she’s a little older.

Bebe uses a regular 7.2 megapixel Fuji camera (FinePix Fuji z10) with modest 3x optical zoom. She does her editing on a free online website (Picnic, I believe). I’m going to continue encouraging her to hone her skill but, in the meantime, some kind words from non-relatives may nudge her along.

Please feel free to comment if you like what you see!

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